Clark Ashton Smith (13 January 1893 – 14 August 1961) was a self-educated American poet, sculptor, painter and author of fantasy, horror and science fiction short stories. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics (alongside Ambrose Bierce, Joaquin Miller, Sterling, Nora May French, and others) and remembered as 'The Last of the Great Romantics' and 'The Bard of Auburn'.
As a member of the Lovecraft circle, (Smith's literary friendship with H. P. Lovecraft lasted from 1922 until Lovecraft's death in 1937), Smith remains second only to Lovecraft in general esteem and importance amongst contributors to the pulp magazine Weird Tales, where some readers objected to his morbidness and violation of pulp traditions. (It has been said of him that "Nobody since Poe has so loved a well-rotted corpse.") His work is marked chiefly by an extraordinarily wide and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humour.
The contents of this book are from the personal collection of Gerry de la Ree, but are printed with the permission of Clark Asthon Smith's widow, the late Carol Jones Smith. This is number 49 and is published for the Hyperborian League.
Limited Edition. Broadside. Single-sheet measuring 14-1/2 x 7". A Fine copy. Printed in an edition of twenty-five copies by Joseph Uccello in the Autumn of 2009 to mark the harvest time and the advent of Samhain.
IN THE ULTIMATE VALLEYS by Clark Ashton Smith (1970 Letterpress Chapbook)
LOST WORLDS: The Journal of Clark Ashton Smith Studies
The Arkham Collector was an American fantasy, horror fiction and poetry magazine first published in Summer 1967. The magazine, edited by August Derleth.
THE TARTARUS OF THE SUN by Clark Ashton Smith (Letterpress Chap)
TO GEORGE STERLING by Clark Ashton Smith (Letterpress Chap)
To the Daemon of Sublimity is an epic poem in miniature by master of the weird Clark Ashton Smith. 4x6 inch broadside letterpress. Only 150 copies produced.
WEIRD TALES #1 edited by Lin Carter (Zebra, 1981) 4 1/8 x 6 7/8, 272 pages. Near Fine condition.
WEIRD TALES #2 edited by Lin Carter (Zebra, 1980) 4 1/8 x 6 7/8, 267 pages. Near Fine condition.