DE MAGIA by Giodano Bruno – Deluxe Artisan Edition Half Bound in Leather and Marbled Boards in Custom Traycase

One of only 30 hand numbered copies produced. Half bound in leather and marbled boards with custom traycase.

The half-leather edition has Goat-Skin leather spines, gold-tooled title labels, leather corners, and two ribbon markers. The cover boards have handmade decorative marbled paper, which the bookbinder has made especially for this edition. The Artisan Edition is Hand-bound by Maestro Paolo Olbi of Venice and limited to 30 hand-numbered copies.

The Artisan Edition book is presented in an elegant custom clamshell box. Each box is hand-wrapped in black binder’s cloth, lined in velvet with a gold-tooled spine label and a gilded drawing by Giordano Bruno, Theuti Radius, on the front.

Gentle bump to rear top traycase else fine. This is number 5 of 30 hand numbered copies.

Published by Black Letter Press:

About this book:

ranslated by Paul Summers Young

Cover design by Alice Rocchetti

Giordano Bruno (1548 – 1600) is at once significant and enigmatic; a 16th-century Wittgenstein whose far-reaching interests and passionate investment in his subject matter carried him far beyond his contemporaries conceptually. By the same token, his commitment to what he considered valid, and his inability to read the room, led him into continuous conflict with his peers, and ultimately spelled his end.

Our edition is focused on his magical literature, and is a new translation based on the Tocco and Vitelli research:

• Lampas Triginta Statuarum
• De Magia Mathematica
• De Magia Naturali
• Theses De Magia
• De Rerum Principiis et Elementis et Causis
• De Vinculis in Genere

Giordano Bruno is more often spoken of than actually read. While his work has been translated and published, and very widely discussed, much of that material is out of print, or accessible only in scarce academic publications. And yet he casts a literal shadow across the subject; his monument in the Campo de’ Fiori has become an icon of philosophical, and especially esoteric, free thought.

We hope our new translation of Giordano’s Latin magical texts will make him more accessible to a general readership, and as with all our projects, stimulate our reader’s interest and imagination in the field as a whole.